I turn intuition into structure, and structure into choice. I’m a multidisciplinary performing artist, founder of Espacio KUU cultural hub, and creative director with +20 years of experience. This is my archive, my language, and my ongoing practice.

My practice lives where voice becomes architecture, storytelling becomes strategy, and aesthetics become a shared experience people carry long after the lights go out.

A defining chapter of my work is the creation of Espacio Kuu Inti, a privately initiated theatre in La Paz, Bolivia, a cultural and architectural milestone built through cross-sector partnerships. Conceived as a flexible, community-rooted business model, it connects artistic excellence with sustainable operations and strengthens the city’s creative economy. The space marked a historic shift in local stage infrastructure, becoming the second theatre in La Paz to feature an orchestra pit in more than two centuries, expanding what is possible for musical theatre, large-scale productions, and live performance in the region.

My commitment to art as a social engine also lives in projects like “Cambiemos la Historia”, a musical I directed and composed to address bullying through story, music, and collective creation. Supported by NGOs, public institutions, and private partners, the production brought together a cast of 30 actors from diverse socioeconomic backgrounds in La Paz and El Alto city, using rehearsal as a space for transformation, integration, and shared authorship. The project positioned musical theatre not only as entertainment, but as a civic tool, a living language capable of shifting narratives and expanding belonging.

As a performer, I trained and grew in the intensity of Calle Corrientes, Buenos Aires, one of Latin America’s most significant theatre districts, working in musical theatre biggest productions and touring works, while expanding my craft through direction assistance, production roles, and creative leadership on and offstage. In music, I’m a singer and composer with two studio albums, developing a vocal practice that bridges stage discipline with authorship and sonic research.

On screen, my work includes a Best Actress nomination for the short film Lo Que Nos Queda, alongside projects that integrate acting with a broader interest in narrative, presence, and the choreography of emotion.

I also build platforms that travel. As part of my work in cultural distribution and internationalization, I helped open new pathways for Bolivian theatre through Teatrix Bolivia, supporting the capture and circulation of stage works in high-quality formats and expanding access to national productions beyond borders.

Education and mentorship are among my signature strengths. I’ve created live training programs and digital learning experiences that have supported artists, entrepreneurs, and leaders internationally. Through communication and presence work, a 360° approach to voice, message, body, and strategy. I’ve accompanied initiatives in Bolivia that bridge private and public sectors, helping shape positioning campaigns and public-facing narratives with clarity and impact.

For residencies and research-based contexts, I work with voice, writing, and performance as territories of “unstructured truth”: studying how private language becomes public gesture, how a city writes itself into the body, and how experiences can generate community as lasting artistic material. I see each residency as a laboratory, to deepen research, prototype living formats, and weave the work into the rhythm of a place.

Parallel to my artistic career, I’ve directed campaigns and built cinematic brand universes (especially within premium and real-estate contexts) , showrunning commercial productions, shaping visual identity systems, and designing experiences that align business goals with cultural sensibility. I’m known for translating complex ideas into cohesive worlds: clear narratives, strong taste, and execution that feels both elevated and human.